The Journey Creates New Words

It’s amazing how life can be somewhat peaceful and then turn you on your head. I’ll give you the basic run down, but the chaos of the last 2 1/2 years is not the topic of this post.

In January, 2018, my husband died. In May, I developed a pulmonary embolism. In November, the building attached to mine burned to the ground, taking the water main, the electrical, and my car with it (totaled…the building fell on it). My condo is fine and the photo is from the actual fire. However, my adult son and I ended up sharing a hotel room for fifteen months.  Not how I would recommend for anyone to spend time, trust me. To be trapped in a small space with a talkative extrovert tested my sanity at times. 🙂 In March, 2020, just over two years after all this began, I’m finally back home, a bittersweet thing as there were leaks and my kitchen needs to be ripped out.

I didn’t write after my husband died. In fact, though I journaled, I didn’t write fiction for a year. The confidence with which I used to approach posts here was gone, too. I had coaching training, but no clients, I’d lost the one editor I trusted absolutely, and I wasn’t sure I was cut out to publish any more. The dark night of the writer’s soul, I suppose.

In January, 2019, I was exasperated, not sure what I was supposed to be doing as other paths had opened up, and very much felt like Jacob, ready to wrestle the angel. I got angry, shook my fist in the air and demanded to know where my focus should be. For a week, I did nothing but go down each path in my imagination, trying to imagine life in the future. One thing that became clear…the only thing I had endless patience with and energy for was writing.

The dam broke loose January 19th.  I sat down at the computer, found myself opening up Scrivener for the first time in recent memory, and more than nine thousand words poured out of me that day. Within a week, I had a routine and was actually producing stories.

It was like going from a hose that dripped once a day to a fire hose in my face. I’m still shocked when I look at my daily averages and word count for 2019. Where did it come from?

I thought a lot about this event, and I think there are insights useful for all writers. The first is the truth that, as writers, we watch ourselves when we go through painful things. We remember those emotions and lend them to our characters. The best scenes are the ones that bring tears to your own eyes as you write them. My ability to write three-dimensional characters has expanded hugely. My willingness to be vulnerable on the page and take chances as a writer have stretched.

I think another reason this torrent happened is because I said no to other paths, acknowledged that I was a writer before almost anything else, even to the point of understanding I’d rather write than have a steady relationship that took time away from the words. Believe me, that was a revelation that caused a few tears. I’ve always imagined myself to be writer and many other things. I coach. I encourage. I teach a very little. Whatever else I may do, I am a writer. That’s who I am, that’s my primary focus and priority, and there is no conflict as to my lifestyle. Words rule. If I do nothing but put words on a page for the rest of my life, I’ll be content.

Here’s another. Stop worrying about what you write and just let it come.  Of course we want to be focused and produce to our goals, yet there is a time and place to open a new document and just type. It may be something totally outside what you usually write. It might provide adhesive to your current work. I’m an advocate of free-writing about stories and characters. I am no longer surprised when the free-write becomes something all on its own. It’s okay. No guilt. Just creative process. I’ve now written in genres that scared or intimidated me. And I liked it.

Though I believe writers write and do not advocate putting my hand to my forehead to declare it’s just not there today, I have discovered there are times it’s okay if the writing dries up for a bit. If you make a living writing, you’ll find a way to break through it if you can. If not, if you have the time and space, as I did during the initial recovery from the embolism, just sit with it. I still wrote in my journal every day, but lost all fiction. At some point, I think you just decide to give yourself a break and let it be. Relaxing about it and taking the pressure off probably had a lot more to do with the flood being so productive when it arrived. Regardless, not beating myself up as hard as I would have the year prior helped me to be open to whatever would come word-wise.

There’s a good chance this post seems egotistical or woe-is-me. That’s not where I’m at. I think, in a way, I’ve finally found my feet. So many losses in the past three years. Losses, disruptions, and more. Yet my word count is no longer an issue. My willingness to sit down and compose isn’t something I think about. I do it first thing.  Would I have all this if I hadn’t dried up for a year? Would I have all this if I hadn’t lost my closest friends, my husband, and for a time, my mobility and health? I have finished several first drafts that I actually like. It’s been a while.

For writers, no life experience is wasted. We grow. Our capacity to write well and with deeper meaning grows. Our characters have new opportunities to grow.

If you’re in the midst of something that hurts right now,  you have my empathy. Keep your notebook close. Take notes on phrases, feelings, observations. Let yourself really feel and describe it. Then put the notebook away and simply sit with life until you’re ready to write.

T – Truth

That’s what fiction is for. It’s for getting at the truth when the truth isn’t sufficient for the truth.
Tim O’Brien

Humans are born with this amazing ability to replay scenes in our minds, to edit them, recast them, and alter actual events on our mental stage. It’s psychological benefits an be enormous (or destructive depending on the person).

Fiction is a bit like that. We can tell deep truths in stories that we can barely verbalize in the real world. We put our characters through emotional trials that are universal to humanity, allowing the readers to identify and invest in those characters from the front cover to the back. We can rewrite our own experiences and give our characters different reactions and results. That is just one way writing can be cathartic.

There is so much we say, both knowingly and unintentionally, in our work that is truth. What do you think of the quote? What does it bring to mind for you?

Take Responsibility for Your Writing Life

Well. I’m a little red-faced today. The crime scene series will continue. As soon as I find it. Don’t worry, I have backups of backups. I just transferred everything to a new computer this week and apparently missed a few files. Embarrassing! And entirely my fault.

But it got me to thinking.

I like excuses. They seem to provide lubricant for slipping out of situations in which I am at fault. However, I try hard not to make excuses because, really, who cares? They don’t change the failure, right? They can’t undo a missing post, a lost opportunity, or a broken promise. Excuses might appease and reduce the fallout, but doesn’t let us own our mistakes and face them.

For that, we need to take responsibility.

As writers, aren’t excuses just easier?

  • I was too busy to write today.
  • The boss needed me so I couldn’t write.
  • The kids are sick so I was too tired to write.
  • I just wasn’t feeling it today. Maybe tomorrow.

Who are we appeasing? Ourselves, of course. We don’t want to acknowledge our failure or our lack of commitment. It’s easier to excuse ourselves to ourselves than admit we blew it.

What would it look like if we take responsibility instead?

  • I chose to spend my time elsewhere.
  • I elected to focus on something else.
  • I decided not to write while the kids napped.
  • I didn’t care enough to sit down and start.

It might sound a little harsh, but it’s honest, right? And it also requires us to own up to our choices rather than hide behind circumstances or other people.

Life does sometimes get in the way. That’s just a fact. But taking responsibility rather than making excuses gives a much better picture of our writing life and a much better gauge of our resistance.

Do you make excuses for not writing? I still do, even as I want to take responsibility instead. How do you feel after you tell yourself an excuse? A little relieved? A little dirty? I do, and ashamed besides.

How does it feel different to take responsibility? For me it feels a bit grim, but also honest, like a hard look in the mirror. Sometimes it’s clear there wasn’t much I could do. Most of the time, what’s clear is that I was lazy, uncommitted, or scared. Then I get a little mad. Taking responsibility has gotten me back out of bed to do my daily writing because I don’t want to see myself as a person who can’t fulfill her commitments.

For the next week or two, listen to what you tell yourself. Examine the excuses and rephrase them as taking responsibility.  If you need help, call your accountability partner (or get one). Holding myself accountable to another person who wouldn’t accept  excuses was how I began to understand the whole subject in the first place.

If you struggle to get your writing done, ditch the excuses, take responsibility, and get a little mad.

 


Which positive outcomes might we find by moving from excuses to responsibility?

Humble Pie and the Return to Writing

IMG_6923I’ll just come right out and say I’m happy to see the back end of 2015. Here’s to a good 2016!

So, you know my often expressed views that discipline and routine are what get words on the page? Let’s just say I now have a deep compassion and more insight for writers who struggle with both. With 30+ years of experience, I never thought it would happen to me, but humble pie is good for the soul, right? Or is that digestion…

I’ve thought about hiding the near collapse of my writing life, but it wouldn’t be right. We’ve always been honest with you and won’t change now. Besides, if my recent lessons and experience can help even one person, I’ll be glad I swallowed my pride instead of putting on a mask.

Though it’s been a busy, disruptive year, the primary way I spent my free time was indulging in voracious research, some of which you’ll soon see. There’s an overview series on the elements of a crime scene coming up as well as a series on how the dead can speak to investigators through their remains (don’t worry, I’ll give warnings before the squeamish bits). Other upcoming posts deal with elements of romance (a touch of which belongs in every genre), suspense, and how to get your characters to talk to you.

And that’s just me. Michelle, Amanda, Chris, and I will be posting on a different schedule this year, but are working to bring you interesting and useful information. Mostly, we’re just happy to be back. We’ve missed you!

The Writer’s Google Search History

http://www.flickr.com/photos/86979666@N00/7623744452/Here’s a new twist on an old feature here at The Sarcastic Muse: Inquiring Minds. This time, I want to know.

We writers joke about our Google searches. Though someone in a secret bunker somewhere might raise an eyebrow at some romance genre searches, it’s the thriller and international crime writers that interest me most. My inquiry has several parts.

First, do you think the government is actively watching based on keywords, times visited, or length of time spent on sites for some optics? How active are they? What lands a person on the proverbial watch list?

Second, is anyone actually worried that a government employee might see their search history? (I worry more about my family as I’ve been researching the psychology of killers for years.)

And third, which is probably the heart of my question, do the alphabet agencies care about name, ethnicity, or other profiling data? If my parents immigrated from Serbia or my dad still writes to his cousins in North Korea, Afghanistan, or <insert geopolitical hot spot here>, or my brother took a new name when he converted to Islam, does that make the watchers watch more closely? What about ex-pats living in hot spots around the world? An average middle-class person who doesn’t hold a passport probably doesn’t worry too much.

But what about the rest of the world? Terrorism in all forms has become an increasing part of our lives, and, by extension, our fiction. Whether we need to know the blast radius of a pipe bomb, the epidemiology of an anthrax outbreak, what the FBI play book says about dealing with militia groups, etc, writers turn to Google. How concerned are writers in general? How concerned are writers with even casual ties to people or places the government is watching for?

This inquiring mind wants to know.


Comments are open to everyone. We can’t learn if we don’t ask.